
I had my first New York reading--of my fiction--on Friday night, at the Lucky Cat in Williamsburg. I think it went really well. After much agonizing and a flurry of editing, I managed to get a piece of a story that filled the 12 minute slot.
Not that some of my co-readers tried to do the same.
One chick took at least 12 minutes preaching to us about the facts that had 'inspired' her to write her (unpublished) novel. Although the news of the treatment of prisoners during Katrina were horrible and need to be talked and written about, by the end of her diatribe I was just plain tired. She was completely self-righteous in her tone and had that I Know the Suffering of the Prisoners attitude. Now, how much empathy a white, mid-30s woman going to NYU (much more ridiculously expensive than Sarah Lawrence) can get for a population she hasn't met remains to be seen.
Only after a long sermon did she actually read her fiction. I must say I can't remember but a word or two. There was something about breasts rising and falling, I think.
But it continues to prove a theory a friend and I have cooked up for readings--there always has to be one amazing and one hideous reader. (This has only been disproved once--in October I went to a New Yorker Festival reading and both readers were beyond reproach.) This is not to say I was the amazing one, since there were five in all, but I didn't get the hideous rap.
There is something calming about a bright light in your face. As soon as I stepped up to the mic, I was competely covered in light and couldn't see a soul. So I felt comfortable reading words only a few have read and even fewer have heard out loud.
No agents or publishers came forth and pulled out a million dollar contract, but I feel pretty positive about the whole experience.
(Oh, and a drunk poet hit on me after the fact, telling me how much he liked to replace words like 'song' with 'thong.')